Abstract
The Baltic-a term with conventional rather than rational implications-can be used as a general frame to arrange a multitude of organological facts from historically, linguistically, and denominationally different musical cultures-Estonian (EE), Latvian (LV) and Lithuanian (LT). The first part of the article deals with the documentation of instrumental music, as well as the research and significant publications of the period from the 13th century until the end of the 20th century. Arranged in chronological groups, these publications mark a synchronic regional perspective and outline some significant steps in the development of or ganological thought. Basic functional groups of musical instruments and music are discussed in the second part. Thus, this article describes the instruments and the music related to the Baltic people's economic (mainly herding) activities, social events and religious practices. Further, it examines musical instruments used for contemplation and dance in their terminological, morphological, musical, symbolic, and historical contexts.
| Original language | English |
|---|---|
| Pages (from-to) | 21-54 |
| Number of pages | 34 |
| Journal | World of Music |
| Volume | 44 |
| Issue number | 3 |
| Publication status | Published - 2002 |
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